Monthly Archives: September 2013

China Seminar 2 October

China Seminar


Prosody and its syntactic effects in Chinese


by Feng Shengli

Chinese University of Hong Kong


This talk discusses prosody and its effects on Chinese grammar. It attempts to show that prosody (both monosyllabic foot and disyllabic foot) may be the key to understanding Chinese grammar in the past and the present with respect to not only phonology but also morphology and syntax.


Issues to be discussed (more or less elaborately) foot structure in Old Chinese and the parallel developments of the tonal system; disyllabic foot; sentential final particles; as well as other features which have been claimed to have played a role in the typological change Chinese is supposed to have undergone from syntheticity to analyticity.



date: Wednesday 2 October 2013

time: 15:15-17:00

place: Arsenaal, room 001


This is the second talk in the China seminar series 2013-2014.

Information about the talks in the months to come will follow soon.

cursus “Chinees voor alumni”

Op veler verzoek!

“Chinees voor alumni”

Speciaal voor alumni van de opleiding Chinees (TCC/CS; “Sinologie”) van de Universiteit Leiden, die na hun afstuderen niet of weinig met hun Chinees doen/gedaan hebben en hun kennis op dat gebied graag op een rustige en leuke manier willen bijspijkeren organiseren het Confucius Instituut en het Academische Talen Centrum van Universiteit Leiden een opfriscursus.

Voor meer informatie (en om een idee te krijgen van het multimediale lesmateriaal):


China: Leiden Lezingen en Activiteiten / Symposium Announcement: Chinese Art and Material Culture in a Global Context: Objects of Study and Disciplinary Frameworks


International Symposium

Chinese Art and Material Culture in a Global Context:

Objects of Study and Disciplinary Frameworks


Wednesday 18 September 2013, from 3 to 6 pm

The National Museum of Ethnology, Steenstraat 1, Leiden


This symposium will bring together scholars who engage with Chinese art and material culture from various angles, within Sinology, Social Science, Art History, (Comparative) History, the History of Collecting, and curatorial practice. Two presentations on the subject of Chinese art and material culture and on the disciplinary context of (Global) Art History will be followed by a roundtable discussion by museum curators and academics based in Taiwan, Germany, the United Kingdom, the United States, and the Netherlands, combining case study-specific arguments with overarching claims pertaining to the fields in which participant scholars place the ‘Chinese object’. The discussion will address Chinese artifacts introduced by the participants, and propositions on the relationship between Chinese art & material
culture and ‘the global’, such as:


–          Material culture can be understood as both ‘local’ in the specific combination of elements selected, and ‘global’ in the wider repertoire from which they are drawn.


–          The history of interactions, flows and encounters requires comparative knowledge of all partners in the exchange: mentalities, institutions, and individuals.


–          Art historians (of China) need to be historians of the object in context: social, religious, economic, political, and so forth.


–          In both historical terms and in the contemporary world, any analysis of art and material culture is dependent on an understanding of value that transcends the simple binary of economic and aesthetic values; attending to questions of physical materiality and of technology offer particularly productive points of entry to an expanded conception of valuation.


All are welcome! Please register at or





Welcome by Maghiel van Crevel (Sinology, Leiden University; secretary,

Hulsewé-Wazniewski Foundation; director, LIAS)

Welcome by Laura van Broekhoven (head of research, The National Museum of Ethnology)


15:05-16:10                              PART ONE: Presentations

Chair: Menno Fitski (curator of East Asian Art, Rijksmuseum Amsterdam)


15:05-15:30 Shih Ching-fei (Art History, National Taiwan University):

Chinese Art and Material Culture in a Global Context: Canton, the Qing Court and the Holy Roman Empire


Anne Gerritsen (History, Warwick University; Kikkoman Chair for Asia-Europe

Intercultural Dynamics, Leiden University)



Monica Juneja (Global Art History, Heidelberg University): Material Encounters:

Can Peripatetic Objects Challenge the Disciplinary Frame of Art History? 


Kitty Zijlmans (Art History, Leiden University; director, LUCAS)


15:55-16:10                  Discussion

16:10-16:25                  Coffee Break


16:25-18:00                              PART TWO: Round Table

Chair: Maghiel van Crevel


16:25-16:55                  Brief Introductions of Selected Objects of Study

Svetlana Kharchenkova (Social Science, University of Amsterdam) on Liu Bing, Over the Crowd, 2012, and the Direct Auctioning of New Artworks in China


Willemijn van Noord (Eastern Art, Bristol Museum and Art Gallery) on a Shang dynasty fang ding (rectangular caldron) and The taotie Motif in the Context of Global Material Culture


Paramita Paul (Sinology, Leiden University) on the Lantau Big Buddha built by Po Lin Chan monastery, completed in 1993, and Contexts of the Colossal


Wang Wenxin (Sinology, Leiden University) on Sitting beside Chrysanthemums and Holding a Pocket Watch from the series Twelve Beauties of Prince Yong by an unidentified artist from the imperial workshop and The Making of Self and Other in a Qing Court Painting      


Eline van den Berg (Chinese Art and Archeology, Society of the Friends of Asian Art) on a sancai Tang dynasty horse and its transformation From Burial Figurine to Household ‘Art’


16:55-17:45                  Round Table

Jeroen Duindam (Comparative History, Leiden University)

Anne Gerritsen (History, Warwick University; Kikkoman Chair for Asia-Europe Intercultural Dynamics, Leiden University)

Lennert Gesterkamp (Sinology, independent scholar)

Christiaan Jörg (former curator of Decorative Arts, Groningen)

Mark Meadow (History of Art and Architecture, University of California Santa Barbara)

Barend ter Haar (Sinology, University of Oxford)

Jan van Campen (curator of Asian Export Art, Rijksmuseum Amsterdam)

Willem van Gulik (former chair of East Asian Art and Material Culture, Leiden University)

Thijs Weststeijn (Art History, University of Amsterdam)


17:45-18:00                  Wrap-up

Anna Grasskamp (Art History, Leiden University; Asia and Europe in a Global Context, Heidelberg University)


18:00-19:00 Drinks for all in the café of The National Museum of Ethnology


Please also see attached file and:


This symposium is organized by the Leiden University Centre for the Arts in Society (LUCAS) and the Leiden University Institute for Area Studies (LIAS), and hosted by the National Museum of Ethnology, with generous support from the Hulsewé-Wazniewski Foundation for the advancement of education and research in the archeology, art, and material culture of China at Leiden University.